to feel now that the sash was gone. They did not speak above a whisper. Outside the clearing, Julia said, it was better to go quietly. Presently they had reached the edge of the little wood. She stopped him. ‘Don’t go out into the open. There might be someone watching. We’re all right if we keep behind the boughs.’ They were standing in the shade of hazel bushes. The sunlight, filtering through innumerable leaves, was still hot on their faces. Winston looked out into the field beyond, and underwent a curious, slow shock of recognition. He knew it by sight. An old, closebitten pasture, with a footpath wandering across it and a molehill here and there. In the ragged hedge on the opposite side the boughs of the elm trees swayed just perceptibly in the breeze, and their leaves stirred faintly in dense masses like women’s hair. Surely somewhere nearby, but out of sight, there must be a stream with green pools where dace were swimming? ‘Isn’t there a stream somewhere near here?’ he whispered. ‘That’s right, there is a stream. It’s at the edge of the next field, actually. There are fish in it, great big ones. You can watch them lying in the pools under the willow trees, waving their tails.’ ‘It’s the Golden Country—almost,’ he murmured. ‘The Golden Country?’ ‘It’s nothing, really. A landscape I’ve seen sometimes in a dream.’ ‘Look!’ whispered Julia. A thrush had alighted on a bough not five metres away, 156 1984 almost at the level of their faces. Perhaps it had not seen them. It was in the sun, they in the shade. It spread out its wings, fitted them carefully into place again, ducked its head for a moment, as though making a sort of obeisance to the sun, and then began to pour forth a torrent of song. In the afternoon hush the volume of sound was startling. Winston and Julia clung together, fascinated. The music went on and on, minute after minute, with astonishing variations, never once repeating itself, almost as though the bird were deliberately showing off its virtuosity. Sometimes it stopped for a few seconds, spread out and resettled its wings, then swelled its speckled breast and again burst into song. Winston watched it with a sort of vague reverence. For whom, for what, was that bird singing? No mate, no rival was watching it. What made it sit at the edge of the lonely wood and pour its music into nothingness? He wondered whether after all there was a microphone hidden somewhere near. He and Julia had spoken only in low whispers, and it would not pick up what they had said, but it would pick up the thrush. Perhaps at the other end of the instrument some small, beetle-like man was listening intently—listening to that. But by degrees the flood of music drove all speculations out of his mind. It was as though it were a kind of liquid stuff that poured all over him and got mixed up with the sunlight that filtered through the leaves. He stopped thinking and merely felt. The girl’s waist in the bend of his arm was soft and warm. He pulled her round so that they were breast to breast; her body seemed to melt into his. Wherever his hands moved it was all as yielding as water. Their mouths Free eBooks at Planet eBook.com 157 clung together; it was quite different from the hard kisses they had exchanged earlier. When they moved their faces apart again both of them sighed deeply. The bird took fright and fled with a clatter of wings. Winston put his lips against her ear. ‘NOW,’ he whispered. ‘Not here,’ she whispered back. ‘Come back to the hideout. It’s safer.’ Quickly, with an occasional crackle of twigs, they threaded their way back to the clearing. When they were once inside the ring of saplings she turned and faced him. They were both breathing fast, but the smile had reappeared round the corners of her mouth. She stood looking at him for an instant, then felt at the zipper of her overalls. And, yes! it was almost as in his dream. Almost as swiftly as he had imagined it, she had torn her clothes off, and when she flung them aside it was with that same magnificent gesture by which a whole civilization seemed to be annihilated. Her body gleamed white in the sun. But for a moment he did not look at her body; his eyes were anchored by the freckled face with its faint, bold smile. He knelt down before her and took her hands in his

From the above text of 1984, give me a thesis statement tp answer this question;

“How do composers use sensory experience in their texts to explore human emotion? In your presentation, make close reference to an extract from Nineteen Eighty-Four and an extract from” your related text and compare how emotion is explored in each text through sensory experience.

make this shorter into a point specific to 1984

expand how the nature brings out human connections with other individual of nature vs collective experience

to feel now that the sash was gone. They did not speak above a whisper. Outside the clearing, Julia said, it was better to go quietly. Presently they had reached the edge of the little wood. She stopped him. ‘Don’t go out into the open. There might be someone watching. We’re all right if we keep behind the boughs.’ They were standing in the shade of hazel bushes. The sunlight, filtering through innumerable leaves, was still hot on their faces. Winston looked out into the field beyond, and underwent a curious, slow shock of recognition. He knew it by sight. An old, closebitten pasture, with a footpath wandering across it and a molehill here and there. In the ragged hedge on the opposite side the boughs of the elm trees swayed just perceptibly in the breeze, and their leaves stirred faintly in dense masses like women’s hair. Surely somewhere nearby, but out of sight, there must be a stream with green pools where dace were swimming? ‘Isn’t there a stream somewhere near here?’ he whispered. ‘That’s right, there is a stream. It’s at the edge of the next field, actually. There are fish in it, great big ones. You can watch them lying in the pools under the willow trees, waving their tails.’ ‘It’s the Golden Country—almost,’ he murmured. ‘The Golden Country?’ ‘It’s nothing, really. A landscape I’ve seen sometimes in a dream.’ ‘Look!’ whispered Julia. A thrush had alighted on a bough not five metres away, 156 1984 almost at the level of their faces. Perhaps it had not seen them. It was in the sun, they in the shade. It spread out its wings, fitted them carefully into place again, ducked its head for a moment, as though making a sort of obeisance to the sun, and then began to pour forth a torrent of song. In the afternoon hush the volume of sound was startling. Winston and Julia clung together, fascinated. The music went on and on, minute after minute, with astonishing variations, never once repeating itself, almost as though the bird were deliberately showing off its virtuosity. Sometimes it stopped for a few seconds, spread out and resettled its wings, then swelled its speckled breast and again burst into song. Winston watched it with a sort of vague reverence. For whom, for what, was that bird singing? No mate, no rival was watching it. What made it sit at the edge of the lonely wood and pour its music into nothingness? He wondered whether after all there was a microphone hidden somewhere near. He and Julia had spoken only in low whispers, and it would not pick up what they had said, but it would pick up the thrush. Perhaps at the other end of the instrument some small, beetle-like man was listening intently—listening to that. But by degrees the flood of music drove all speculations out of his mind. It was as though it were a kind of liquid stuff that poured all over him and got mixed up with the sunlight that filtered through the leaves. He stopped thinking and merely felt. The girl’s waist in the bend of his arm was soft and warm. He pulled her round so that they were breast to breast; her body seemed to melt into his. Wherever his hands moved it was all as yielding as water. Their mouths Free eBooks at Planet eBook.com 157 clung together; it was quite different from the hard kisses they had exchanged earlier. When they moved their faces apart again both of them sighed deeply. The bird took fright and fled with a clatter of wings. Winston put his lips against her ear. ‘NOW,’ he whispered. ‘Not here,’ she whispered back. ‘Come back to the hideout. It’s safer.’ Quickly, with an occasional crackle of twigs, they threaded their way back to the clearing. When they were once inside the ring of saplings she turned and faced him. They were both breathing fast, but the smile had reappeared round the corners of her mouth. She stood looking at him for an instant, then felt at the zipper of her overalls. And, yes! it was almost as in his dream. Almost as swiftly as he had imagined it, she had torn her clothes off, and when she flung them aside it was with that same magnificent gesture by which a whole civilization seemed to be annihilated. Her body gleamed white in the sun. But for a moment he did not look at her body; his eyes were anchored by the freckled face with its faint, bold smile. He knelt down before her and took her hands in his

From the above text of 1984, give me a thesis statement tp answer this question;

“How do composers use sensory experience in their texts to explore human emotion? In your presentation, make close reference to an extract from Nineteen Eighty-Four and an extract from” your related text and compare how emotion is explored in each text through sensory experience.

give me a topic sentence relating to the question about the previous excerpt 'How do composers use sensory experience in their texts to explore human emotion? In your presentation, make close reference to an extract from Nineteen Eighty-Four. analyse how emotion is explored in each text through sensory experience.

Write a purpose and elaborate on the insight from the author